Aug. 20th, 2025 12:45 pm

Dear RarePear Author

beatrice_otter: Me in red--face not shown (Default)
[personal profile] beatrice_otter
I use the same name everywhere so I am [personal profile] beatrice_otter on AO3. Treats are awesome.

I would rather get a story you were happy with than "well, she said she liked x, so I guess I have to do x even though I don't like x and/or am not inspired that way." This letter is long with lots of suggestions and preferences if you find it helpful, but feel free to ignore it if it is not helpful. I'm fairly easy to please; I've been doing ficathons for over a decade and am usually very happy with my gifts.

The most important thing for me in a fic is that the characters are well-written and recognizably themselves. Even when I don't like a character, I don't go in for character-bashing. If nothing else, if the rest of this letter is too much or my kinks don't fit yours, just concentrate on writing a story with everyone in character and good spelling and grammar and I will almost certainly love what you come up with.

I have an embarrassment squick, which makes humor kind of hit-or-miss sometimes. The kind of humor where someone does something embarrassing and the audience is laughing at them makes me uncomfortable. On the other hand, the kind of humor where the audience is laughing with the characters I really enjoy.


General Likes and Dislikes
other things to keeep in mind:
  • I like stuff that takes side characters and puts them center-stage, especially when the characters and/or actors are marginalized. I enjoy seeing them come to life.
  • I don't like it when marginalized characters get relegated to the sidekick/supporting/helper role so that it can be All About The White Dude.
  • I like it when female characters are more than just the Strong Female Character(tm) or The Nurturer.
  • I like fluff
  • I like angst with a happy ending
  • I like stories that make me think about things in a new way.
  • I like to know that culture matters to people, and to see how different cultures interact and where the clashes are.
  • I like unreliable narrators.
  • I like acknowledgment that different people can have different points of view without either of them being wrong.
  • I like stories that engage with problematic aspects of the source, and which deal with privilege in one way or another instead of sweeping it under the rug.
  • Worldbuilding is my jam, I am pretty much always up for explorations of why the world is the way it is. I love hearing about the economics, the politics, the religion, the clothing, the history, the folklore, all of that kind of stuff. And I want to know why it matters--how is all this cultural background stuff affecting the characters, the plot, everything. You don't have to do deep worldbuilding, but I'll enjoy it if you do.
  • I don't like it when plots hinge on characters being selectively stupid, or selectively unable to communicate. Like, if they are stupid or a himbo or whatever in general, or have problems communicating in general, that's fine! Or if they canonically have a blind spot in that area, again, it's fine. But if it's just "the only way I can think of for this plot to work is if the character spontaneously and temporarily loses half their intelligence and competence," then I'm going to spend the rest of the fic wondering why the character didn't just ____?
  • I like AUs, but not complete setting AUs (i.e. no highschool or college or coffee shop AUs, and especially not mundane AUs--nothing where you keep characters but drop most of the worldbuilding). I like fork-in-the-road type AUs, where one thing is different and the changes all result from that one thing, and you explore what might have been if such-and-such happened.
  • I like the concept of sedoretu marriages.
  • I like historical AUs, but only when the author actually knows the history period in question and does thoughtful worldbuilding to meld actual culture of the time with the canon.
  • Crackfic is really hit and miss for me, sometimes I love it and sometimes I can't stand it. Basically, if it's the characters we know and love in a ludicrous situation, that's great. If they're OOC or parodied in order to make something funny ... it's not funny to me.
I like plotty, gen stories, and plotty stories in general. I don't care for explicit sex, particularly when it's just thrown in for teh porn. I'm asexual; a lot of the time I don't even bother to read the sex scenes. Romance is awesome (as long as both are in character and the romantic plot doesn't hinge on one or both of them being an idiot). I love it when friendship is held up as important and not secondary to romantic relationships and blood ties.

Please no incest or darkfic. I define "darkfic" as stuff where there's a lot of suffering and no hope even at the end and all the characters are terrible. Angst with a happy ending is fine, I enjoy it, but there's gotta be a payoff. Even an ambiguous ending is fine! But there has to be some note of grace or redemption or hope somewhere, it can't just be "people are awful and the world sucks, the end." I define incest as siblings and/or parents, cousins don't count.

I love outsider perspectives and academic takes on things. In-universe meta (newspaper articles, academic monographs--especially with the sort of snarky feuding common in actual real-world academia, social media feeds in current day or future worlds) is awesome.

Also, I'm picky about European historical clothing details. You don't have to talk about it at all! In fact, if you don't know much about historical clothing, I would prefer if you didn't mention it at all. My pet peeve is corsets: no, they weren't a restrictive tool of the patriarchy, no, they didn't interfere with most women's daily lives, no, most women weren't wearing them so tight they couldn't breathe.

I like religion but I'm picky about it. Basically, Christianity is deeply weird compared to most other religions, and a lot of people whose only experience with religion is living in a culturally-Christian nation assume that what they know about Christianity is some sort of universal principle of What Religion Is Like, and that's just not the case. For example, in Christianity what you believe is more important than what you do. This is not to say we Christians don't teach and practice Christian ethics or have rituals we are very attached to, but rather that if you don't believe in Jesus Christ, it doesn't matter what rituals you participate in or what ethical things you do, you are not a Christian (although you may be a "cultural Christian"). Every Christian group has at least a minimal core theology that members must affirm, but participation in ritual is far less rigidly a requirement. Most other religions rank what you do (both ethically and ritually) as more important than what you believe, and it is often quite possible to be a member in good standing if you participate in the practices and rituals even if you believe none of the teachings. Anyway, point is, if you are doing worldbuilding for a fantasy or SF or otherwise non-Christian religion ... unless it is explicitly a Christian-analogue, it should be different from Christianity. Question your assumptions and see where that leads you, and I will be fascinated and thrilled.




The Goblin Emperor Series - Katherine Addison
Arbelan Drazharan/Maru Sevraseched
I can see them having so much fun together when he visits. They're both old enough to know what they want and how to get it discreetly, they're both outside the normal court bullshit, and Arbelan's gone through enough trouble. Let her have some fun.

Chenelo Drazharan/Marquess Lanthevel (TGE)
I have no idea how this might come about, but the premise intrigues me. Did Chenelo survive relegation, and come back to court with Maia after Varenechibel's death, and go looking for allies to help her son's reign be stable? Is V'bel just 2% less a jerk and doesn't relegate her and Maia, but they're still persona non grata at court, and she and Lanthevel come to be friends and then have to dance around the edges of what they can safely do (because V'bel is looking for an excuse to divorce her)?

Chenelo Drazharan/Nemolis Drazhar (TGE)
V'bel already had several grown sons by the time the marriage with Chenelo was arranged; surely Maru would have wanted his grandson to be an emperor, instead of merely another younger son? The political maneuverings around this must have been really interesting, but also, the few glimpses we get of Nemolis is of a kind, thoughtful man who is a good husband and father. I don't care whether they fall in love or not, but I'd love to see the two of them working together and being partners in a difficult situation. Either when they're first married or later.

Eiru Berenar/Arbelan Drazharan (TGE)
Does Arbelan marry him instead of V'bel (and thus have a much nicer life)? Do they start up something when she comes back to court? Please no cheating—maybe his wife is marnis and they have an Understanding. I just want Arbelan to have good things.

Nemriän Drazhin/Maru Sevraseched (TGE)
So what are the POLITICS of this? Did the marriage with Chenelo not happen? Did it go better? Is Maru using this marriage to pressure V'bel into treating Chenelo and Maia better ("If you don't take better care of my daughter and grandson, I'll do the same or worse to Nemriän)? What were the pressures that were making it advantageous for the Ethuveraz and Barizhan to have closer ties? (Notably, Barizhan has a coast and the Ethuveraz doesn't, and their major river goes right through Barizhan to the sea. If Barizhan wants to cut off the Ethuveraz's trade, they have every capability of doing so.) Does Maru get a legitimate son and heir out of the marriage, or another daughter, and what happens then?

Shaleän Sevraseched/Shaleän Sevraseched's Wife (TGE)
Pirates! Have fun!

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic




Lord Peter Wimsey - Dorothy L. Sayers
I would love a casefic, but also, all of these are such interesting characters, I'd love to go deeper into their dynamics.

Charles Parker/Mary Wimsey (Peter Wimsey)
Everybody treats Mary like she's a child who doesn't know her own mind, but she is only five years younger than Peter. In Clouds of Witness, she is 28 years old. I deeply dislike Sayers' trope of women who take up the interests of the men they fall in love with; I want her to be a leftie out of her own conviction. (Is that the reason it takes her and Charles so long to get together? He's so staid and conservative; maybe it took a while to negotiate what their relationship was going to be like.) I want her to get the respect she is denied by the narrative, and I want Charles to have someone he can have reasoned intellectual disagreements with. (I love that he reads theology for fun.)

Charles Parker/Peter Wimsey (Peter Wimsey)
Is Charles really okay with Peter leaving him with all the footwork all the time? Is there ever a time when Peter is wrong and Charles is right? Peter went to a boys' school, and situational homosexuality is a thing, besides his general cosmopolitanness; does Charles have more problem with it than Peter does? They are both such deeply principled men, and they have the principles of their class and time; does "living in sin" bother them? The fact that they can't be open and honest about it?

Colonel Marchbanks/Mrs Marchbanks (Peter Wimsey)
The Marchbanks are so stodgy, but also very decent people. I would love to see more of them. Maybe something during the war, where they're both dealing with the fact that this is not like the wars he's served in in the past? Maybe a house party at Duke's Denver goes deeply wrong (in a non-murdery way)?

Freddy Arbuthnot/Rachel Levy (Peter Wimsey)
Freddy's brainpower is only concentrated in his one area, but in that area he's very good, and he seems to be a kind enough man … and one willing to move beyond his prejudices. I'd love their courtship from Rachel's point of view, or maybe something from later on after their marriage. I would be equally thrilled for something that expands these two characters but treads lightly on the antisemitism of the time as I would be for something that dives deep into it. (What do they do before WWII as conditions for Jews are worsening, especially in Europe?)

Mervyn Bunter/Harriet Vane/Peter Wimsey (Peter Wimsey)
I absolutely cannot buy that Peter and Harriet's relationship would go the same way if he was in a pre-existing relationship with Bunter. Bunter is not like his mistresses, which bring mutual pleasure and enjoyment but have little real depth of feeling and are largely separate from his day-to-day life; Peter depends on Bunter for his healing and sanity. There are "jokes" in canon about how Bunter is basically his wife. It is an extremely important relationship to Peter, and I can't see sex making that less important. So he would not immediately propose in a jail cell, because he's basically already married and there would have to be a lot of negotiation before things went forward with Harriet. (When he visits Sylvia and Eiluned is he sounding them out discreetly as to how okay she is with gay men and threesomes?) There are so many points along their courtship and relationship where things would have changed based on that. I'd love to see them explored. Or you could have P/B not be pre-existing, and something about Harriet changes the dynamic enough that they have a belated relationship and end up in a triad where Harriet is the pre-existing partner? Or maybe a true menage a trois?

Mervyn Bunter/Peter Wimsey (Peter Wimsey)
When do they get together? During the war? After it? How does it affect their cases, and their social circle? Who knows about it (Bunter's mother? The Dowager Duchess? Charles Parker?)? How do they navigate the issues of Peter's fluctuating mental health? How does it affect their cases?

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic




Star Wars Original Trilogy
My favorite parts of Star Wars includes the PT, the OT, the Zahn trilogy (especially Mara Jade) and the X-Wing books, bits and pieces from the TV shows, Rey&Finn&Poe as the only contributions from the ST, and an ending where something new and better results after all the pain and trauma. (Or at least something different.) It's not that everything has to be perfect, but I want there to be at least some growth and change. If you are inspired by other corners of the Star Wars universe, feel free to bring them in, but those are my happy places, and I am perfectly fine with completely ignoring the ST or rewriting it to make it either less stupid or less depressing (or both).

I love Lando, and I think he was absolutely right to put the safety of his entire city and everyone living in it ahead of the well-being of a couple of old friends. He is smart, pragmatic, and responsible in the best possible way. Do Leia and Lando work together on political negotiations/shenanigans while Han plays house-husband and swoops in with the Falcon when they need backup? Do Han and Lando go off and make shady business deals and come home to Leia with intelligence she can use politically? Does Lando start up a new operation--maybe mining, maybe something else--or take over an existing one after the war is over, and become a respectable businessman? I was one of the contributors to the "What if Han became Emperor by accident" thread on tumblr a while back, and my contribution was "ooh, Lando would be his Grand Vizier!" and if you want to go that direction that would also be awesome. (It's not on tumblr any longer, but the podfic and transcript of it are here: https://archiveofourown.org/works/18219923) Also, Weird Jedi Shit is always fun.

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic, Kylo Ren




Crossover Fandom
Bertram "Bertie" Wooster (Jeeves and Wooster)/Harriet Vane (Peter Wimsey)
Look, Harriet Vane is far from the worst person he's ever gotten accidentally engaged to, but he still doesn't want to be married. For a fun twist on the usual J&W plot, what if there's some reason that she feels her honor is engaged? Being a sensible woman, I'd think Jeeves' approach this time might be to just … talk with her and explain the whole situation and find a way out of it that satisfies them both. And then shenanigans happen, and they go away with no hard feelings.

Donna Noble (Doctor Who)/Lando Calrissian (Star Wars)
I think Donna would be suspicious of Lando's charm, but also really enjoy him flirting with her, and they'd have a great time together (while the Doctor just wanders around confused in the background). Maybe she saves Cloud City through the power of temping and bureaucracy, maybe she helps him conning some people who really deserve it pre-Cloud City, maybe she helps him on a rebellion mission, maybe they meet on vacation.

Elinor Dashwood (Sense and Sensibility)/William Laurence (Temeraire)
Two people of deep reserve, intelligence, and honor—there are so many ways they could have an interesting relationship, and so many ways their respective book plots would complicate that. I'd love to see it.

Martha Jones (Doctor Who)/Peter Grant (Rivers of London)
Peter would love to meet an actual alien, and I think a case where he has to do with weirdness that's not magic related would be good for him. I think there would be a lot of mutual wariness and misunderstandings, because she's going to assume aliens and he's going to assume magic, and she would probably assume that his powers are, like psychic stuff or whatever.

Martha Jones (Doctor Who)/Stephen Franklin (B5)
Two doctors with both compassion and determination, willing to go to the limit to do the right thing and save people (and sometimes the world). You could do so many interesting things with that—fit Martha and the Doctor into a B5 typical plot, or maybe Martha gets stranded and starts working at the clinic in Downbelow to make ends meet while she waits for the Doctor to come pick her up.

Natasha Romanov (MCU)/Bruce Wayne (DCU)
Do they meet on a mission? Are they targeting the same person? Is Natasha sent in to find out who the Batman is? Does Bruce go looking for "what is SHIELD and what are they doing at that base in Gotham?" Does she moonlight as an actual supermodel for a while to build up one of her covers, and get invited to a party at Wayne Manor? Any incarnation of Bruce Wayne is fine with me.

Peggy Carter (Agent Carter)/Diana (Wonder Woman)
I am fine with any version of Diana. I would LOVE to see them on a case during/after WWII, or working together during Peggy Carter's days as director of SHIELD. I think they could bond over lost loves (and over a shared love of hitting bad people very hard). Secret identity shenanigans would also be interesting.

Peggy Carter (Agent Carter)/Henry "Indiana" Jones (Indiana Jones)
I don't like Temple of Doom, but Crystal Skull is ok. Given that HYDRA was going after mystical artifacts, you know they had to have crossed Indy, or maybe the SSR/SHIELD needed his expertise. Also, he canonically has a thing for competent brunettes, so.

Phryne Fisher (Miss Fisher)/Peggy Carter (Agent Carter)
Adventures! Is the Honorable Phryne Fisher also an agent of the SSR? Does one of Peggy's cases post-war take her to Australia?

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic




Babylon 5 (TV 1993)
Ah, the fandom of my youth! This was my first fandom that was mine, and not just something the family watched together. I love the layering of the themes, and how you can watch it on multiple levels (action/adventure, character arcs, political allegory, deeper themes about truth and freedom and who are you and what do you want and why are you here). The characters and their story arcs were all so compelling. One of the things I love about Babylon 5 is that there were so many characters where the fact that they were antagonists didn't mean they were stupid or bad people, just people with a different perspective honestly trying to do what is right.

Is there a problem on Babylon 5 that needs to get solved? Is there some Minbari cultural rite or Earthforce political intrigue? Is the PsiCorps making trouble? I'd also love something post-series about peace-building.

I especially love Minbari culture. If you do worldbuilding for Minbari culture, past, present, or future, I will love you forever. I consider "To Dream in the City of Sorrows" canon and firmly believe that when Sinclair went into the past and became Valen, he found Catherine again after she was lost in time.

Catherine Sakai/Jeffrey Sinclair (Babylon 5)
I love stories where Jeffrey/Valen meet up with her again in the past. But I would also be interested in stories about the two of them juggling their relationship and their respective careers, or the changes once he's assigned as ambassador to Minbar.

Delenn/John Sheridan/? (Babylon 5)
I love John and Delenn together, but she is way too smart for him and I like it best when he knows he's a bit out of his league and a bit uncomfortable at all the alien stuff (and yet maybe a bit excited by it under the surface). The political implications of their relationship, on both Earth and Minbar, fascinate me. Then you add in either Neroon or Lennier, and what happens? I don't think John would be terribly comfortable with it; three may be holy on Minbar, but John sure didn't like Lennier's love for Delenn. What if Neroon survived somehow and had to learn to be religious caste? How would Neroon and John get along as part of a marriage? What about John and Lennier?

Delenn/Neroon, Lennier/Neroon (Babylon 5)
Neroon survives AU! Or maybe something exploring his earlier career, or his relationship with Branmer, or the complexities and frustrations of his encounters with Delenn, or his time on the Gray Council. Delenn has dealings with Neroon, and Lennier is her go-between, and then Neroon has Opinions about Lennier's attempts at trying to subsume his romantic feelings into service and pretend he's just fine with John Sheridan, and things snowball from there.

Marcus Cole/Neroon (Babylon 5)
They only really interact in that one episode, but it is FASCINATING. Marcus changes Neroon's whole perspective; I don't think he could have done what he did, later, without it. Either something where Neroon survives or something where he doesn't could be interesting. Or maybe Neroon figures out how to save Marcus. This could be tragic or happy ending or something set earlier before either of them dies.

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic




Sense8 (TV)
Hernando Fuentes/Lito Rodriguez/Daniela Velasquez (Sense8)
I love the worldbuilding and the characters, and what I most want is what happens NEXT. And I'm curious for both the immediate lives of the cluster (I love them all), but also for the larger world of sensate clusters. Do they start building their own culture, now that it's safer? What scars have been left by the corporate exploitation and murder? What continuing steps are needed to get rid of the lingering influence of BPO? Does the larger world ever learn about sensates, and what happens to the cluster then?

I love Sun's contradictions and complexity, I love Capheus's heart and courage, I love Lito's drama and sweetness, I love Nita and Nomi's trust and mutual devotion (and Amanita's quick thinking), I love the way Lito and Hernando's relationship grew and the way Daniela became a true partner for them and they have a relationship with her that's as important as a marriage but not romantic/sexual in the traditional sense. I love the way all of the cluster interacts and how together they are so much more than the sum of their parts, and I love watching all of them grow and become more truly themselves as they become entiwned in one another. (And I wonder what it would be like for clusters that weren't so well-suited, if that might be part of where Whispers came from.)

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic




Star Trek: TNG
I love alien culture worldbuilding, boldly going, exploring, wacky science hijinks, time travel, AU shenanigans. I love the hopeful attitude that we can become better than we are. I love cross-cultural romance (especially when it deals realistically with having to figure out what compromises each is going to make on what they expect out of a relationship--love is not all you need, you also need a lot of hard work and communication).

As for plot ... it's Star Trek. If you want to play it serious, go for it. If you want to lean into wacky tropes, that's great too. As long as everyone is in character, feel free to go as cracktastic as you want with the time travel and travel to alternate universes and weird missions.

Guinan/Jean-Luc Picard (TNG)
Guinan is awesome, but please tone down the Magical Negro stereotype--she's not just The Wise Magic Advisor. She's got her own prejudices and traumas. I would love anything that dove into her past or her culture. Picard and Guinan have INCREDIBLE chemistry. Watch Time's Arrow and see the way he LOOKS AT HER. Something with time travel and meeting in the wrong order a la Time's Arrow would be interesting, but so would them hanging out together and being friends. Or an adventure from before they were together on Enterprise. I don't like most of the Picard TV show, but I do appreciate Picard and Guinan's stuff.

Jean-Luc Picard/Kamala (TNG)
Picard/Kamala, the "empathic metamorph" who imprinted on Picard but then went on to her arranged marriage anyway? On the one hand, you have the appeal of the whole soulmate trope, and on the other you have the ickyness of how that works for an empathic metamorph, but on the other hand, he was the one she chose, and then you've got the political aspects. Even once she's free do either of them want a long-term relationship, despite the fact that they are perfectly matched?

I see it as unrequited, unless dude Kamala married died in an accident and she left the planet. Even then, I don't know that she would have sought him out. I like that her choice was just that--her choice. And in a shitty situation, she chose to bond with the person whose desires made her into someone she wanted to be. I wonder what she did after? Obviously, duty and ethics are very important to her. But what does that mean, in the long run, given her situation? Does she use her position to advocate for change, or just endure until her husband died and then leave after he dies (she's a lot younger than he is)? OTOH, what happens if something happened and the Enterprise had to go back to the planet she married into?

Jean-Luc Picard/Ro Laren (TNG)
I love the friendship and mentorship they have despite (or maybe because of) their differences, and the mutual trust they built. I'd be interested in an episode-type story set before she defected to the Maquis, or an AU where she didn't for some reason, or something after the Dominion War when she's no longer a terrorist. Or a role-reversal AU where Bajor is the perfect paradise world that's the founder of the Federation and provides most of the people for Starfleet, and Earth is the one conquered by the Cardassians. I absolutely LOVE Ro Laren, she's such a contrast to the rest of them.

K'Ehleyr/Worf (TNG)
I love Klingons, PARTICULARLY when they're written with depth. The warrior ethos shapes their entire culture, but it's not the only thing about them. Worf/K'Ehleyr: K'Ehleyr rejects much of what Worf is desperately trying to cling to. And Worf's view of Klingons is very one-dimensional, almost an outsider's view, because of his upbringing. If she had lived and they'd had to actually work things out, that would have been fascinating. Not to mention very different views on how to raise Alexander.

William Riker/Deanna Troi/Worf (TNG)
Deanna Troi/Worf (TNG)
This is three different cultures, and 'human' is the place in the middle that they all understand, but I'd be interested in something that explored the 'alien' cultures and didn't assume 'human' as normal. Klingon gender roles are that the women are loud and violent and the men read love poetry. Deanna's more the poetry type than the loud and violent type, and I'm not sure how much of a soft side Worf has. So neither of them quite 'fit' Klingon gender/sexual norms. Feel free to bring in the perspective Martok and the others had on mental illness when they were trapped in that Dominion prison camp, that mental illness is an enemy to fight and it takes a lot of strength to fight an enemy in your own head. From that perspective, Deanna is a weapons trainer for the mind.

Deanna/Will, there's history, not all of it good, and a reason they haven't been together for a long time. With Worf and either of them, there's not that baggage.

William Riker/Ro Laren
Riker/Ro: the episode where they have amnesia is amazing, I love stories that deal with what happened afterwards. Before that, they have such great conflict, because Riker is trying to manage Ro and not connecting with her, and Ro has Problems With Authority (unless she independently has come to respect the individual, as with Picard). Then they have amnesia and sleep together! And then they try to pretend it never happened.

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic




Star Trek: TOS
I love alien culture worldbuilding. I love boldly going and exploring and wacky science hijinks and time travel and alternate universe shenanigans. I love the hopeful attitude that we can become better than we are. I love cross-cultural romance (especially when it deals realistically with having to figure out what compromises each is going to make on what they expect out of a relationship--love is not all you need, you also need a lot of hard work and communication).

As for plot ... it's Star Trek. If you want to play it serious, go for it. If you want to lean into the wacky tropes Star Trek was known for, that's great too. As long as everyone is in character, feel free to go as cracktastic as you want with the time travel and travel to alternate universes and weird missions.

Montgomery "Scotty" Scott/Nyota Uhura (ST: TOS)
Between the two of them, they really do keep the ship running when the Big Three are off having their adventures. And we see them closer in the movies. I'd love to see how they got there.

Spock/Nyota Uhura (Star Trek: The Original Series)
My headcanon on Vulcans was shaped by 80s Trek novels but I also enjoy trying to fit the Star Trek: Enterprise Vulcans with ... everything else we know about Vulcans. One thing I will point out, though, is that while there are a lot of things about Vulcan culture that seem/are sexist, the most powerful Vulcans we see throughout the series are elderly women. I love Pon Farr, but mostly dealing with the implications of it (both before and after) and not the sex part.

I love Spock/Uhura, they had such great chemistry in TOS (better, actually, than in the AOS). There's such mutual respect and such playfulness, it's wonderful. And please don't disrupt the canon relationships with Kirk—obviously he and Spock are incredibly important to one another, but also, Kirk and Uhura are such besties, too, I love their mutual respect.

T'Pring/Nyota Uhura (ST:TOS)
I have no idea how this would work but I am fascinated by the premise. An AU where T'Pring was the one who went to Starfleet and Spock stayed on Vulcan? Uhura as a teacher of languages at the Vulcan Science Academy while Enterprise is being refitted? Uhura wants a pen pal to practice her Vulcan with and Spock suggests his betrothed? T'Pring and Nyota encounter each other when Nyota is on Vulcan during Star Trek III?

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic




Star Trek: Voyager
I love alien culture worldbuilding. I love boldly going and exploring and wacky science hijinks and time travel and alternate universe shenanigans. I love the hopeful attitude that we can become better than we are.

I love cross-cultural romance (especially when it deals realistically with having to figure out what compromises each is going to make on what they expect out of a relationship--love is not all you need, you also need a lot of hard work and communication).

My headcanon on Vulcans was shaped by 80s Trek novels but I also enjoy trying to fit the Star Trek: Enterprise Vulcans with ... everything else we know about Vulcans. One thing I will point out, though, is that while there are a lot of things about Vulcan culture that seem/are sexist, the most powerful Vulcans we see throughout the series are elderly women. I love Pon Farr, but mostly dealing with the implications of it (both before and after) and not the sex part.

I think Kate Mulgrew did an excellent job of playing Janeway despite the inconsistent writing she was given, and I love the way Tuvok was definitely a Vulcan but also a very different Vulcan than Spock. And I think their friendship was a foundation for both of them, having someone they'd known and trusted for years while so far from home. She's very casual about touching his hands, and he's fine with it. Whether it's just for Pon Farr or something deeper and longer lasting, I'm here for it.

Prompts: Day in the life stuff about dealing with the challenges of being so far from home and the top-ranking loyal Starfleet officers. Maybe something set early on dealing with Tuvok's suspicion of the Maquis (and their suspicion of him) and Janeway trying to bring the crew together would be interesting. Pre-series stuff about how they came to be close. Post-series stuff--I mean, it's great, they're both glad to be home, but they've changed and the Federation has changed. (Has Tuvok's wife moved on/remarried?) If you wanted to handle Pon Farr and/or them becoming a couple, I would enjoy that too. Or something dealing with the aftermath of the episode Blood Fever, which I would imagine made Pon Farr and/or Vulcans a really public topic of discussion on the ship. (It's not something that could have been easily hushed up!) Another idea: some Vulcan festival is coming up, and the Vulcans are going to have a hard time celebrating it so far from home, so Tuvok and Janeway have to get creative to figure out how to handle it.

T'Pel/Tuvok: I would be happy with ANYTHING, there is NO fic for this pairing. What's their marriage like, with him gone all the time? What was she doing while he was off being a rebellious teenager? What was she doing while he was on Voyager, and what was it like when he came home?

If none of that appeals ... it's Star Trek. If you want to play it serious, go for it. If you want to lean into the wacky tropes Star Trek was known for, that's great too. As long as everyone is in character, feel free to go as cracktastic as you want with the time travel and travel to alternate universes and weird missions.

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic




Still Star-Crossed (TV)
Benvolio Montague/Rosaline Capulet
So much potential, cut so tragically short. I would love just about anything that showed What Happened Next, or maybe an AU where things happen differently (take just about any canon event and play it out), or maybe far in the future after they're married and things have settled down. What roles do they play, together, in establishing a lasting peace? Do other Shakespeare characters wander through?

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic
anghraine: uhura confidently sits at the weapons panel while kirk remains tensely in the captain's chair, both bathed in the red lighting of "balance of terror"; text: "you're the only one who can do it" (from "mirror mirror") (kirk and uhura [bridge])
[personal profile] anghraine
J and I have re-watched three seasons of TNG, and the number of times I've felt that Troi or Crusher is 100% correct and Picard in particular is being an incurious asshole are getting... let's say, numerous. And in general, they seem to get out-shouted by the male senior officers in this "we're just being reasonable while you're being emotional" way that I find intensely annoying. Even when the plot ultimately justifies their perspective, they seem to get these vague acknowledgments in a private setting, not the unqualified public apologies they frankly deserve—because, IMO, the show itself doesn't feel they deserve them.

Meanwhile, when we marathoned TOS, I was pretty surprised by how much I ended up liking Kirk, and then I ended up loving him even more on some re-watches, despite the occasional dire writing ("Elaan of Troyius" can't make me hate him; my most beloathèd writer on TOS just decided that, in addition to writing Elaan as an unholy combination of Katharina from The Taming of the Shrew and just a racist caricature in general, Kirk was going to be Petruchio for a day and also that it'd be hot if France Nuyen roofied and had sex with him, which is, um, rape, but the episode doesn't understand its own plot the way e.g. "Wink of an Eye" or even freaking "Catspaw" understand what's wrong—and it was written by the same guy who wrote the virulently antisemitic "Patterns of Force" that goes out of its way to put Kirk and Spock in Nazi uniforms—just them among the main cast for most of the episode, for some reason, though it's unusual for them to be placed on a mission alone—and the script includes extra antisemitism directed individually at both Nimoy and Shatner on different occasions). There are a lot of reasons that TOS Kirk in particular ended up as my peak ST blorbo, even surpassing Spock's hold on my heart (though I love him deeply), but one of the reasons are scenes like these that TNG has very definitely brought back to mind:
KIRK: At least try cutting him off!
UHURA: Sir, if I could cut him off, don’t you think I—!
RILEY: ♪ I’ll take you home again, Kathleen— ♪
UHURA: Yes, sir, I’ll keep trying.
KIRK [apologetically]: Sorry.

KIRK: Yes, I’m aware of that, Mr. Scott.
CHEKOV: And, sir, the fact Earth took twelve centuries doesn’t mean they had to.
UHURA: We’ve seen different development rates on different planets.
SCOTT: And were the Klingons behind it, why didn’t they give them breechloaders?
CHEKOV: Or machine guns?
UHURA: Or old-style hand lasers?
KIRK [sharply]: I did not invite a debate. [pause] I’m sorry. I’m worried about Spock and concerned about what’s happened.

These apologies are quite simple, not emotional or dramatic or detailed at all, but that's fine. Just the acknowledgment that he was in the wrong and apologizing for it without hesitation or taking it to a face-saving private location or whatever, just saying it right there in front of everyone, is incredibly refreshing. In both of these, also, Uhura is one of the people he's responding to—it's possible that he's readier to apologize in such an open and unambiguous way because Uhura is involved and they're particularly close (their obvious and consistent mutual affection was another of the big TOS surprises!). I don't really think so (McCoy also freely apologizes on the spot multiple times, if less often than his behavior merits), but maybe Kirk's apologies are prompted by Uhura's involvement. However, if so, TOS going out of its way to show a very white-coded male hero publicly and correctly apologizing to the competent and justified Black woman who answers to him in front of his other subordinates doesn't make it any less welcome tbh.

(I'm definitely enjoying parts of TNG, but if several of the TOS movies frustrated me by moving towards 80s space explosions blockbuster when I was invested in the Having Things to Say Even if They're Deeply Flawed approach of TOS along with the visual experimentation, generally unexpected nuances of the characters, and sheer joyous camp of it all, TNG has seemed so painfully complacent 80s and essentially cautious in its fundamental perspective that I miss TOS all the more, its many faults notwithstanding.)
Aug. 13th, 2025 09:18 am

Worldcon 2025

beatrice_otter: Me in red--face not shown (Default)
[personal profile] beatrice_otter
I will be at Worldcon this week, starting on Thursday. If any of you are going to be there and want to meet up, please DM me and let me know!
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Aug. 11th, 2025 07:29 pm

Dear Crossworks Author

beatrice_otter: Enterprise-D and the TARDIS (Crossover)
[personal profile] beatrice_otter
I use the same name everywhere so I am [personal profile] beatrice_otter on AO3. Treats are awesome.

I would rather get a story you were happy with than "well, she said she liked x, so I guess I have to do x even though I don't like x and/or am not inspired that way." This letter is long with lots of suggestions and preferences if you find it helpful, but feel free to ignore it if it is not helpful. I'm fairly easy to please; I've been doing ficathons for over a decade and am usually very happy with my gifts.

The most important thing for me in a fic is that the characters are well-written and recognizably themselves. Even when I don't like a character, I don't go in for character-bashing. If nothing else, if the rest of this letter is too much or my kinks don't fit yours, just concentrate on writing a story with everyone in character and good spelling and grammar and I will almost certainly love what you come up with.

I have an embarrassment squick, which makes humor kind of hit-or-miss sometimes. The kind of humor where someone does something embarrassing and the audience is laughing at them makes me uncomfortable. On the other hand, the kind of humor where the audience is laughing with the characters I really enjoy.


General Likes and Dislikes
other things to keep in mind:
  • I like stuff that takes side characters and puts them center-stage, especially when the characters and/or actors are marginalized. I enjoy seeing them come to life.
  • I don't like it when marginalized characters get relegated to the sidekick/supporting/helper role so that it can be All About The White Dude.
  • I like it when female characters are more than just the Strong Female Character(tm) or The Nurturer.
  • I like fluff
  • I like angst with a happy ending
  • I like stories that make me think about things in a new way.
  • I like to know that culture matters to people, and to see how different cultures interact and where the clashes are.
  • I like unreliable narrators.
  • I like acknowledgment that different people can have different points of view without either of them being wrong.
  • I like stories that engage with problematic aspects of the source, and which deal with privilege in one way or another instead of sweeping it under the rug.
  • Worldbuilding is my jam, I am pretty much always up for explorations of why the world is the way it is. I love hearing about the economics, the politics, the religion, the clothing, the history, the folklore, all of that kind of stuff. And I want to know why it matters--how is all this cultural background stuff affecting the characters, the plot, everything. You don't have to do deep worldbuilding, but I'll enjoy it if you do.
  • I don't like it when plots hinge on characters being selectively stupid, or selectively unable to communicate. Like, if they are stupid or a himbo or whatever in general, or have problems communicating in general, that's fine! Or if they canonically have a blind spot in that area, again, it's fine. But if it's just "the only way I can think of for this plot to work is if the character spontaneously and temporarily loses half their intelligence and competence," then I'm going to spend the rest of the fic wondering why the character didn't just ____?
  • I like AUs, but not complete setting AUs (i.e. no highschool or college or coffee shop AUs, and especially not mundane AUs--nothing where you keep characters but drop most of the worldbuilding). I like fork-in-the-road type AUs, where one thing is different and the changes all result from that one thing, and you explore what might have been if such-and-such happened.
  • I like the concept of sedoretu marriages.
  • I like historical AUs, but only when the author actually knows the history period in question and does thoughtful worldbuilding to meld actual culture of the time with the canon.
  • Crackfic is really hit and miss for me, sometimes I love it and sometimes I can't stand it. Basically, if it's the characters we know and love in a ludicrous situation, that's great. If they're OOC or parodied in order to make something funny ... it's not funny to me.
I like plotty, gen stories, and plotty stories in general. I don't care for explicit sex, particularly when it's just thrown in for teh porn. I'm asexual; a lot of the time I don't even bother to read the sex scenes. Romance is awesome (as long as both are in character and the romantic plot doesn't hinge on one or both of them being an idiot). I love it when friendship is held up as important and not secondary to romantic relationships and blood ties.

Please no incest or darkfic. I define "darkfic" as stuff where there's a lot of suffering and no hope even at the end and all the characters are terrible. Angst with a happy ending is fine, I enjoy it, but there's gotta be a payoff. Even an ambiguous ending is fine! But there has to be some note of grace or redemption or hope somewhere, it can't just be "people are awful and the world sucks, the end." I define incest as siblings and/or parents, cousins don't count.

I love outsider perspectives and academic takes on things. In-universe meta (newspaper articles, academic monographs--especially with the sort of snarky feuding common in actual real-world academia, social media feeds in current day or future worlds) is awesome.

Also, I'm picky about European historical clothing details. You don't have to talk about it at all! In fact, if you don't know much about historical clothing, I would prefer if you didn't mention it at all. My pet peeve is corsets: no, they weren't a restrictive tool of the patriarchy, no, they didn't interfere with most women's daily lives, no, most women weren't wearing them so tight they couldn't breathe.

I like religion but I'm picky about it. Basically, Christianity is deeply weird compared to most other religions, and a lot of people whose only experience with religion is living in a culturally-Christian nation assume that what they know about Christianity is some sort of universal principle of What Religion Is Like, and that's just not the case. For example, in Christianity what you believe is more important than what you do. This is not to say we Christians don't teach and practice Christian ethics or have rituals we are very attached to, but rather that if you don't believe in Jesus Christ, it doesn't matter what rituals you participate in or what ethical things you do, you are not a Christian (although you may be a "cultural Christian"). Every Christian group has at least a minimal core theology that members must affirm, but participation in ritual is far less rigidly a requirement. Most other religions rank what you do (both ethically and ritually) as more important than what you believe, and it is often quite possible to be a member in good standing if you participate in the practices and rituals even if you believe none of the teachings. Anyway, point is, if you are doing worldbuilding for a fantasy or SF or otherwise non-Christian religion ... unless it is explicitly a Christian-analogue, it should be different from Christianity. Question your assumptions and see where that leads you, and I will be fascinated and thrilled.



Historical Fiction and Fantasy
The Goblin Emperor Series - Katherine Addison
Kate and Cecelia - Caroline Stevermer & Patricia Wrede
Temeraire - Naomi Novik
Pride and Prejudice - Jane Austen
The Lord of the Rings - J. R. R. Tolkien
Persuasion - Jane Austen
Mansfield Park - Jane Austen
Pirates of the Caribbean (Movies)
Jonathan Strange & Mr Norrell - Susanna Clarke
Doctor Who 2005

With these fandoms, I'd be fascinated to see how the worldbuilding fits together. Is Middle Earth on the other side of the ocean from the Ethuveraz, and what's that clash like when they encounter one another? What do Tolkien's elves think of the Ethuveraz elves, and vice versa? (Is Dachensol Habrobar, the extremely-long-lived person who makes sigil rings in the Ethuveraz, a Tolkien-style Elf?) Do Elizabeth and Will meet up with Maia's sister the lesbian pirate captain? (James Norrington would do much better in an Austen story than in PotC.) Can an Austen heroine do magic? (What's Sir Walter Elliot's opinion of Mr. Norrell?) If there was a connection between the Bennets and the Elliots, would Mrs. Bennet try to cling on to the Elliots as tightly as Sir Walter clings on to his cousin Lady Dalrymple? (Of course she would.) With Mansfield Park, I'm firmly of the opinion that Henry Crawford would have made Fanny miserable in the long run, so if you don't like Fanny/Edward or Fanny/Mary, this is the perfect opportunity for a crossover pairing. Or no pairing, give her a dragon instead! Everything is better with dragons.

I specified Doctor Who 2005 and Goblin Emperor because you can't have two parts of the same canon in the same request, but I love all Doctor Who and the Cemeteries of Amalo books. So if you are inspired to do an earlier Doctor or stuff from Amalo instead, feel free!

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic



Early 20th Century Detectives and SF/F
Lord Peter Wimsey - Dorothy L. Sayers
Agatha Christie's Poirot (TV)
Agent Carter (TV)
Jeeves & Wooster
The Old Guard (Movies)
Young Wizards - Diane Duane
The Mummy (Movies 1999-2008)
Miss Fisher's Murder Mysteries (TV)

All of these characters are interesting and eccentric, most of them solve mysteries (and the rest cause them), I want to hear about how they met or what they're like if they live in the same universe. Is Miss Climpson a Young Wizard-style wizard? She probably wasn't very powerful even when young, but then, she always did find that attention to insignificant details was at least as effective as the more flashy stuff. Does Peter or Harriet cross paths with Evy in academia, or while holidaying somewhere Evy and Rick are doing a dig? (Does Peter work with Rick on intelligence work during WWII?) Would Peggy Carter try to recruit Phrynne for the SSR? What happens if the Old Guard are at a country house party for some reason and someone tries to kill them--what happens to a mystery when the murder victim resurrects--do they pretend to be dead so they don't get revealed, do they try to tell the detective who killed them? What if Captain America is at a country house party for diplomatic reasons and people start dropping dead and someone tries to frame him and he has to work with the detective to identify the true culprit? If all else fails, most of them take place during/near WWII, and you can put together almost anyone either during a mission or while on leave back in England or something.

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic



AI and Wormholes and War
The Murderbot Diaries - Martha Wells
Star Trek: Deep Space Nine
Doctor Who (2005)
Star Wars: the Original Series
Vorkosigan Saga - Lois McMaster Bujold
Battlestar Galactica (2003)
Young Wizards - Diane Duane
Imperial Radch Series - Ann Leckie
The ArchAndroid - Janelle Monáe
Babylon 5 (TV 1993)

(Most of) These canons have things to say about personhood, power, government, culture, and doing the right thing, and I would be interested in seeing them compared and contrasted. While I only listed one Doctor Who (because we can't do things that might get us matched on two parts of the same fandom) I would be fine with any Doctor of any era. I want to know what Murderbot thinks of R2-D2 (and what R2 thinks of Murderbot). I want to know what ART thinks of the Cylons, and what the Cylons think about ART. (And if ART and Murderbot were to drop a virus into Cylon systems that revealed the truth about the Final Five and all the shit the Ones got up to, and trashed the governor modules on the Centurions on the way out, that would be awesome.) Or Murderbot getting trapped in the Colonial Fleet masquerading as a human because these people like constructs even less than most humans like SecUnits. How much can the Doctor fix (or break in a better way) before he/she leaves? What characters would make interesting companions? What would happen if the Colonial Fleet found themselves in Barrayaran space? (Or Cetagandan, or Jacksonian, or Betan?) What would Breq think about the Cardassians or the Dominion (or the Federation)? And, of course, everything is better with wizards.

What characters would make interesting companions? What are the wizards doing in the BSG world? (Can Cylons be wizards, and what would happen if one was? How would that work with their whole sharing memory/uploading/downloading thing?) What do the technomages think of the wizards, and vice versa ... or is "technowizard" a way of getting around sevarfrith status? What would Laura Roslin think of the Minbari, and would telepaths be able to sense Cylons? Did either the Vorlons or the Shadows have anything to do with the repeating cycle of evolution/Cylon creation/destruction that BSG is stuck in?

Some of these are easier to fit together than others. For example, Murderbot can pop up anywhere and fit into any canon, because if there's a difference in the sociopolitics or the way interstellar travel works between Murderbot canon and whatever series you're putting MB in, it can be handwaved away as "Murderbot doesn't care and therefore didn't notice." The Doctor can pop up anywhere, and wizards are also very adaptable. With Star Trek and Star Wars, both series show enough of the galaxy and enough of galactic history, and have different enough physics that it's a bit tougher. But still doable! Ye Olde Wormhole/Alternate Universe can work wonders.

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic



Modern World, part 1
Rivers of London - Ben Aaronovitch
Sense8 (TV)
Young Wizards
Stargate SG-1
Terminator: The Sarah Connor Chronicles
Dirty Computer - Janelle Monáe (Music Video)
A Wrinkle in Time (2018)
Superman Returns (2006) or Superman (Movie 2025)
Criminal Minds (US TV)
Pitch

With these fandoms, I would love either worldbuilding (how do you fit superheroes and genius loci into one universe? Duane's wizards and Aaronovitch's? The Old Guard's immortality vs. Nightingale, Varvara, the Old Soldiers, and various other immortals of the demi monde?) or character stuff (put the characters in a room together, see how they get along or don't) or exploration of social issues that are implicit or implied in the canons. Also, wizards make everything better, and I am fascinated by the concept of sensate clusters. Take characters, make them part of a sensate cluster--preferably a diverse world-spanning cluster, like the one in the show. (OCs are fine as part of the cluster!) Or what would happen to any of the characters in any of the series if they died and became part of the Old Guard? Does Nile watch Genny Baker's games whenever she has a chance? Peter would totally be a superhero fanboy, and also, if Judgment Day happens, and Terminators have microchips, all of a sudden being a wizard is a superpower to save the world. On the other hand, what if Sarah and John et al ended up in Britain and got tangled up in a case? What would Peter make of time travel?

I love all of the Sense8 cluster, but my faves are Nomi, Lito, and Capheus. Of all the Old Guard, Booker is least interesting to me.

I specified Superman Returns here, but I would be just as happy to receive Superman 2025 crossed with any of these others.

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic



Modern World Part 2
Calvin & Hobbes
A Wrinkle in Time (2018)
Dirty Computer - Janelle Monáe (Music Video)
Young Wizards - Diane Duane
Batman: The Animated Series
Superman Returns (2006) or Superman (Movie 2025)
Sense8 (TV)
Fandom For Robots - Vina Jie-Min Prasad

The main theme of these canons to me is young people, imagination, and hope. I'd love worldbuilding and fitting these stories together; I'd also love character moments. There's already an amazing "what if Calvin was a wizard" story, but another would be awesome. What would a wizard be doing in the Dirty Computer dystopia? Or Gotham? What if Bruce Wayne or Dick Grayson were sensates? (Or, God forbid, Harley Quinn? Pity the poor cluster! OTOH, if they can convince her to get away from the Joker, that would be great.) What would the Timmverse Batman think of either the 2006 or 2025 Supermans? Could Computron be a wizard? What if Calvin ended up as a Robin?

I specified Superman Returns here, but I would be just as happy to receive Superman 2025 crossed with any of these others.

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic



Modern World, Part 3
Fandom For Robots - Vina Jie-Min Prasad
The Murderbot Diaries - Martha Wells
Superman 2025
A Wrinkle in Time (2018)
Star Trek: The Next Generation

Robots being people! What does Murderbot think of Hyperdimension Warp Record? What does Computron think of the Rise and Fall of Sanctuary Moon? If either of them met up with Data, what would they talk about? If Computron is in the DCAU, are there other sentient robots? Is there anything Superman might need Computron's help on? What would happen if Murderbot needed to team up with the Justice League, or Batman? What if Camazotz came after Earth, and the Justice League or Starfleet needed Meg's help to defeat the IT? What if Charles Wallace and Computron got to talk for a bit? What if Computron got to visit the Fortress?

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic



Modern World -- Apocalypse Edition
Terminator: The Sarah Connor Chronicles
Pacific Rim (Movies)
Sense8 (TV)
The ArchAndroid - Janelle Monáe
Dirty Computer - Janelle Monáe (Music Video)
Young Wizards - Diane Duane
The Murderbot Diaries - Martha Wells
Sleepy Hollow (TV)

Yes, most of these are post-apocalyptic or dystopian in some way. But they also have at least the seed of hope: of escape, of change, of something better being possible. And they're also about personhood, about choice, about AI and civil rights and cancelling the apocalypse.

Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic


.
Aug. 10th, 2025 12:02 am

(no subject)

beatrice_otter: Me in red--face not shown (Default)
[personal profile] beatrice_otter
It's always fun to try out the Vulcan Name Generator. This time I got some doozies.
The first two: T'Kok and Suk.

While I think that a very ... interesting fic could be written about T'Kok and Suk, I do not think I would be the person to write that fic.

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beatrice_otter: Me in red--face not shown (Default)
[personal profile] beatrice_otter
[personal profile] hermionesviolin posted: Massachusetts Universal Voting Restoration
For anyone registered to vote in Massachusetts -- you can sign up to get reminded when it's time to officially sign papers to put on the Massachusetts ballot a measure to repeal the Massachusetts constitutional amendment that took the right to vote away from people serving felony sentences.

From an email from Progressive Mass:
Unlock Democracy in Massachusetts

In 2000, Massachusetts passed a constitutional amendment that took away voting rights from people incarcerated for a felony conviction. This stripping of rights was in response to political organizing happening in prison. The Empowering Descendant Communities to Unlock Democracy project and allies aim to get voting rights restoration on the statewide ballot. If you are a registered voter in Massachusetts, please take a minute to fill out our pledge form now: https://tinyurl.com/uvrpledge. Once the Attorney General approves the language, organizers will reach out to those who filled out the pledge with dates/locations for nearby signature collection efforts.

The EDC to Unlock Democracy is is committed to ensuring that democracy does not stop at prisons and jails in Massachusetts. It is a collaborative project between the Democracy Behind Bars Coalition, the African American Coalition Committee at MCI-Norfolk, Healing our Land, Inc., and more. To get in touch email EDCtoUnlockDemocracyMA@gmail.com.

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